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001 A Book of Shanties 1
Erfgoedstuk
Bladmuziek
A Book Of Shanties,
Titel:
A Book Of Shanties
Naam uitgever:
Methuen & Co LTD
Jaar van uitgave:
1927
Taal:
Engels
Plaats van uitgave:
Londen
Auteur:
C. Fox Smith
Organisatie: Shanty Nederland
laatste wijziging 14-12-2021
1 gedigitaliseerd
 
 
 
 
 
013 Capstan Bars
Erfgoedstuk
Bladmuziek
Capstan Bars,
Titel:
Capstan Bars
Organisatie: Shanty Nederland
laatste wijziging 17-12-2021
1 gedigitaliseerd
 
 
 
 
 
015 Zeemansliederen
Erfgoedstuk
Bladmuziek
Zeemansliederen,
Titel:
Zeemansliederen
Organisatie: Shanty Nederland
laatste wijziging 17-12-2021
1 gedigitaliseerd
 
 
 
 
 
033 Florilège De La Chanson De Mer
Erfgoedstuk
Bladmuziek
Florilège De La Chanson De Mer,
Titel:
Florilège De La Chanson De Mer
184-185
186 187
188-189 190-191
192-193
194-195
196-197
198
199 200-201 202-203 204-205 206-207 208-209
211 212 214
215 216 218
223 224
TROIS BATEAUX Texte reproduit avec l'aimable autorisation de Mme Andree Looten Gravure, collection Jacques Delannez LA TAVERNE DE L'OLONNOIS © Ed Masq, Paris, 1974 Photo Birgit JEHAN L'ADVENU © Ed Sibecar, Fans, 1971 Photo Birgit LES LITANIES DE LA MER © Ed Louis Gaste, Fans, 1969 Eau-forte de Arthur Van Hecke VOGUE LA GALÈRE © Ed Sibecar, Fans, 1969 Les grands-parents de l'auteur, photo A Anquet Dessin de Armel de Wismes CHANSON DE LA CÓTE © Ed Masq, Paris, 1980 Gravure, Le vieux capitame, par Maurice Parson, 1879, collection Ronan Douguet LA FEMME AU FÉRI © Ed Masq, Pans, 1980 Fhoto, Les grand-tantes de l'auteur, collection Marcel Vanhoutte AUTRE VAGUE Poème de Norge, © Libraine Ernest Flammarion, Fans, 1972 Mis en musique avec I'aimable autorisation de l'auteur Fhoto S Fournier-Rapho L'ÉFITAFHE D'ALAIN GERBAULT, extrait de L'Evangile du soled, d'Alain Gerbault Grasset © 1932 Fasquelle editeur Photo, musee de la Perrine, Laval IL ÉTAIT UN PETIT NAVIRE Photo Raymond Depardon-Magnum © Ed Masq, Fans, 1975 LE CABARET DES MINTEUX © Ed L Gaste, Fans, 1969 Photo Roger-Viollet LES BATEAUX DANS LES BOUTEILLES © Ed Sibecar, Pans, 1975 Photo Birgit L'ÉPITAPHE AU MATAF © Ed Masq, Pans, 1980 Photo, Henry de Monfreid, par J -L Maiffre LE JEUNE HOMME ET LA MER © Ed Masq, Pans, 1974 Fhoto Roger-Viollet OHÉ ' OHÉ DU BATEAU > © Ed Masq, Pans, 1977 Fhoto Jean d'Hugues Noeud en huit, photo Jean-Paul Lecat Le serment, gravure, XIX'' siècle Le chenal de Grand-Fort a marée basse, miniature par Nenesse Van Steeland Portrait de Vauteur par Haira Sceaux, document fourni par le Musee de la Marine Figure de proue, document tourni par le musee de la Marine Le port de Dunkerque vers 1820, document archives dunkerquoises L'equipage a la vielle, photo musee de la pêche, Concarneau
^ I liiPimiiiMirfi;* . •
Voorbeeld : Klik op de tekst voor meer
Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
033 Florilège De La Chanson De Mer
Erfgoedstuk
Bladmuziek
Florilège De La Chanson De Mer,
Titel:
Florilège De La Chanson De Mer
Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
033 Florilège De La Chanson De Mer
Erfgoedstuk
Bladmuziek
Florilège De La Chanson De Mer,
Titel:
Florilège De La Chanson De Mer
REMERCIEMENTS
Tous ceux qui, a des titres divers, ont contribué a construire « Le Florilège » et a le mettre aflot, qu 'ils soient ici chaleureusement remerciés. Kathy Hamon, Dominique Marionnet, Pierre-Alain Mack, Francine Perceval Eric Vibart, pour leur patience, leur gout et leurs heures de veille. Le Capitaine Auguste Van de Sande, dont la sagesse nous a permis d'éviter quelques écueils. La bordée dunkerquoise et entre autres: Michel Steylaers, dit«la doguette », patron du « Clipper », et son equipage, le bosco. Pierrot Mormentyn; le mousse, Michel Heyden, et Denis Marquette, « bazenne >> de service, avec qui nous avons réussi quelques beaux coups de filet. Toujours a Dunkerque, Louis Bossu, patron du canot de sauvetage, le commandant Auguste Brunei, Georges Carpier, expert de la langue flamande, Julia Bryckaert et Maurice Bryckaert, Jacques Delannez et ses boulets ramés, Michel Gadeyne, Jacky Messiaen, le commandant Joseph Salomont, Marcel Vanhoutte et ses souvenirs, Michel Zoonekynd et ses nosuds. Les bretons Michèle et Bernard Cadoret, Ronan Douguet, Jean Le Bot, le Commandant Georges Aubin. Léo David, l'abbé Etcheverry, Marcel Carrières, pour les informations spécifiques a leurs regions, Guy Bontempelli et Gérard Bourgeois, Frangois Budet, Dorival Caymmi, Abd-el-Krim Djilali. Mihalis Hadjioannou, Sweto Ristitchevitch, Raoul Roy, Alain Saury et Yani Spanos, Radmilla Stevanovitch, pour leurs chansons. Jean-Claude Darnal Michel Devy, André Devynck, LéoFerré, Félix Ledere, Gilles Vigneault, pour leurs manuscrits. Haira, Kathy Hamon, Arthur Van Hecke, Nénesse Van Steeland, Le baron Armel de Wismes, pour leurs illustrations originales, Barry Moser pour sa collaboration. Birgit, Jean d'Hugues, Pierre-Alain Mack, Jean-Louis Maiffre, Jean-Paul Lecat, Dominique Marionnet, pour leurs photographies. Dan Lallier, conservateur du musée des cap-horniers a Saint-Servan, Géraud de Gallard, du Ministère des affaires étrangères, Marjolaine Matikhine, du musée de la Marine a Paris. Jacques d
Jacques Yvart et Michel Marionnet
Voorbeeld : Klik op de tekst voor meer
Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
033 Florilège De La Chanson De Mer
Erfgoedstuk
Bladmuziek
Florilège De La Chanson De Mer,
Titel:
Florilège De La Chanson De Mer
Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
033 Florilège De La Chanson De Mer
Erfgoedstuk
Bladmuziek
Florilège De La Chanson De Mer,
Titel:
Florilège De La Chanson De Mer
Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
033 Florilège De La Chanson De Mer
Erfgoedstuk
Bladmuziek
Florilège De La Chanson De Mer,
Titel:
Florilège De La Chanson De Mer
•I il
Achevé d'imprimer sur les presses de Maury-Imprimeur S.A en mai 1988 N" d'impression D88/23528 F N" d'edition 55/87 Depot legal 2' trimestre 1988
I
Voorbeeld : Klik op de tekst voor meer
Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
033 Florilège De La Chanson De Mer
Erfgoedstuk
Bladmuziek
Florilège De La Chanson De Mer,
Titel:
Florilège De La Chanson De Mer
I / -
I
X/
•5.!:.
Voorbeeld : Klik op de tekst voor meer
Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
033 Florilège De La Chanson De Mer
Erfgoedstuk
Bladmuziek
Florilège De La Chanson De Mer,
Titel:
Florilège De La Chanson De Mer
I
4 ^ * %
I ^
r k
li
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Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
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037 Sailortown
Erfgoedstuk
Bladmuziek
Sailortown,
Titel:
Sailortown
FIDDLER' S GREEN : A COMPOSITE SAILORTOWN
note was, and still is, a piece of paper given to a certain value, and handed to the sailor in the shipping office. Nowadays it represents one month's wages in advance, but in the days of sail, and long voyages, two, and very often three, months' advance was given the sailor, ostensibly to fit himself out with Cape Horn gear before em- barking on a long voyage. The shipowner would not redeem the 'note', as it was called, until the ship was under way and it was cer- tain that the sailor was aboard. Tailors and crimps, however, would offer to cash the note before the sailor joined the ship, so that he could have a booze-up and women, conjured up, of course by the tailor or crimp. The reader may think the tailor and the crimp ran a risk; perhaps the sailor would fail to join his ship. This, in actual fact, veiy rarely occurred; the tailors and crimps being too cute. What really happened was this. After the tailor—or crimp—got the note, he would see to it that the sailor had a night's orgy on doped booze, after which he or his runners would make sure the sailor was carried aboard and stayed aboard. On waking up aboard his ship the sailor- man would realize that all he had to show for his two months' wages —as yet not worked for—was a fat head, often a dose of pox, some second-hand gear, and a 'donkey's breakfast', or straw-filled mattress. Also he realized that all this rubbish and his night out had cost them but a sixteenth, perhaps, of his note. The crimp or tailor, and the mas- ter of his ship—who was often implicated in the deed—all benefiting from the note far more than he.
The front of a tailor's shop would be festooned with all kinds of
'hard weather' sailor gear, with mouldy 'Cape Horn underwear' and sleazy shore-going 'traps' to be had on inquiry within the gloomy interior. In all ports such tailors existed, and Solomon Levi of Frisco, 'Old Fluffem' of Melbourne Town, and the sneiders of Hamburg were known to sailormen throughout the Seven Seas. Most of these tailors were Jews, but in some ports, such as those of South America, many of them were Greeks, Syrians, and other Levantines. Street stalls, too, would line the cobbled lanes of Fiddler's Green, and here the sailors, or at least the ones who could read, would buy their literature for the voyage, much of it, naturally, pornographic. Sail lofts and rigging lofts and roperies, too, all went to make up Sailortown's bustling trades. The references to roperies reminds the writer of an idea that dawned upon him while engaged in Sailortown research: the feeling that many Sailortowns grew up around roperies. A ropery in the old days, prior to the Industrial Age, was a long, rather narrow, street, where men and women tramped backwards and forwards, monotonously twisting up yarns on a hand-spinner. They produced all sorts of rope from small stuff", used for seizings, to great cable-laid hawsers, as thick as a man's body, such as naval fri- gates used in the days of Nelson. Some of these roperies were to be found in inland towns, but those that were in the ports were close to 79
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Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
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049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
SANTIANA The refrains of this shanty varied greatly from ship to ship: First refrain
Heave and weigh Santiana. Hooray Santiana. And away Santianno. Hooraw boys, hooraw ho. Horoo Santy Ana. 'Way Santiana.
Second refrain
Heave away, hurra for roll-an'-go. {Norwegian source) All on the plains of Mexico. Heave an' weigh, we're bound for Mexico. All across the plains of Mexico. All along [on] the shores of Mexico. Along the plains of Mexico. On the banks and plains of Mexico. Around the Bay o' Mexico. All along the coasts of Mexico. Upon the plains of Mexico.
Sometimes an inverse order of singing is to be found as in Lowlands Away and Stormalong:
Santiana gained the day, Ch. All on the plains of ^fexico,
Santiana gained the day, Ch. Hurrah Santianno.
The opening bars of this shanty are similar to those oï Jamboree,
and the second refrain resembles Clear the Track. Miss Gilchrist {Journal of the Folk Song Society) seems to think that the tunes of Santiana and Clear the Track are based upon one of the many tunes of High Barbaree.
SANTIANA {a)
Alternative titles, The Plains o' Mexico, Old Santy Ana ^
$ ^ ^i)«l f E f' P -en^ 33 a ^g ^ 5»!)-t;-a-r)a goiptitf»! dw. ftw°y Siuj-ti a. • r,a. I 3aj)-ti-o - tjo ti)t iay, ail a- cro» IKt 'Plair)! of II)tx-i- Co/ fm I
2. He gained the day at Mollcy-del-rey [Mcmterey], Ch. Away Santiana!
,^n' Genera! Taylor ran away, Ch. All across the plains of Mexico! 76
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Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
SANTIANA
3. All of his men were brave an' true, Every soldier brave an' true.
4. Oh, Santiana fought for fame, An' Santiana gained a name.
5. An' Zacharias Taylor ran away, He ran away at MoUey-del-ray [Monterey].
6. Santiana's men were brave, Many found a soldier's [hero's] grave.
7. 'Twas a fierce an' bitter strife. Hand to hand they fought for life.
8. An' Santiana's name is known. What a man can do was shown.
9. Oh, Santiana fought for his gold. What deeds he did have oft been told.
10. 'Twas on the field of Molley-del-rey, Santiana lost a leg that day.
11. Oh, Santiana's day is o'er, Santiana will fight no more.
12. Oh, Santiana's gone away. Far from the field o' Molley-del-rey.
13. Oh, Santiana's dead an' gone. An' all the fightin' has bin done.
14. Santiana was a damn fine man, Till he fouled hawse with Old Uncle Sam.
15. Now Santiana shovels his gold, Around Cape Horn in the ice an' cold.
16. We'll dig his grave with a silver spade. An' mark the spot where he was laid.
17. Oh, Santiana now we mourn, We left him buried off Cape Horn.
18. We left him deep 'way off Cape Horn, Close by the place where he was born.
77
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Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
THE PLAINS OF MEXICO THE PLAINS OF MEXICO [b)
aip'l 9. «pow op- ^ w^iOc |t ^ Wow, ^ « o «ay J««»)«. ?!««>)» oj n)"- i - ' o /
2. In Mexico so I've heard say, Ch. Hooraw, boys, hooraw ho!
There's many a charmin' sefiorita gay, Ch. Heave away for the plains of Mexico!
3. 'Twas there I met a maiden fair. Black as night was her raven hair.
4. Her name wuz Carmen so I'm told. She wuz a Spanish seflorita bold.
5. But she left me there, an' I did go Far away from the plains of Mexico.
6. Them gals is fine with their long black hair; I found my charmin' senorita there [They'll rob ye blind an' skin ye bare].
7. In Mexico I long to be, With me tight-waisted gal all on me knee.
8. Them little brown gals I do adore, I love 'em all, each sailor-robbin' whore.
g. In Mexico where I belong. Them gals all sing this rousin' song.
10. Why do them yaller gals love me so? Because I don't tell 'em all I know.
11. Them Dago gals ain't got no combs. They comb their hair with whale-fish bones.
12. When I wuz a young man in me prime, I courted them yaller gals two at a time.
13. Oh, Mexico, my Mexico, Oh, Mexico where the land lies low [where the wind don't blow].
78
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Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
ROLL , BOYS, ROLL ! WHERE AM I TO GO, M' JOHNNIES? Wkcri m a ) I Wl)cr M t o ^o , ÓO rr><. JoK i)>ufO;Wh«T»ap I to n n>ufO;W^T»ain A»? To m* wo^,(|*.y,K&y,h^ do nj* way,h&y,)>&y,k4l),,
Toll or)' go ! 0 , yi|)«rt on) I
to go rpt, JoK9n;u7 0,v«^«ra. on 1 to go? >or |j-JJ.JlJ-JJ'Jl£.^?Ëia I'l») a ^"9fl - soil- ot-bov, 05' wl)«rt oit) I to go '
2. 'Way up on that t'gailant yard, that's where ycr bound to go, Ch. To me way hay, hay, high, roll an' go!
'Way up on that t'gailant yard, that's where ycr bound to go, Ck. For I'm A young sailor boy, an' where am I to go?
3. 'Way up on that t'gailant yard an' take that gans'1 in, 'Way up on that t'gailant yard an' take that gans'1 in.
4. Yer bound away around Cape Horn, that's where ycr bound to go. 5. Ycr bound away through ice an' snow, that's where ycr bound to go. Another of Harding's halyard shanties in which Sally Brown
again crops up is Roll, Boys, Roll! Definitely originating in the West Indies,
it was popular in ships which carried 'chequerboard crews',
i.e. one watch white and one watch coloured. When Harding sang it it had its full complement of grace notes and yells. This also makes its appearance in print for the first time.
ROLL, BOYS, ROLL!
^i-i7irn^f]|jj;jirrirriirfri^ I
0^} Solly imtn) m ^ gal Jbr n>« , J>ovj, WM, ^t^, |niM Sol • ly Btowp/
2. We're bound away—'way down south, boys, Ch. Roll, boys, roll, boys, roll!
We're bound away—'way down south, boys, Ch. Way, high, Miss Sally Brown!
137 st,»at^^j««)t,l>Oïi,'^l,(><yi,Ssük<y».'<''l.'SJy*n»J>'j?''»^
Voorbeeld : Klik op de tekst voor meer
Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
THE FIRE SHIP
3. We're rollin' down to Trinidad to sec Miss Lucy Loo, We're rollin' down to Trinidad to see Miss Lucy Loo [Sally Brown].
4. Oh, she's lovely up aloft, an' she's lovely down below. {Repeat)
5. She's lovely on the forcyard, boys, she's lovely down below. She's lovely 'cos she loves mc, boys, that's all I want tcr know.
6. o r Capcn Baker, how do yer stow ycr cargo? Some I stow for'ard, boys, an' some I stow arter.
7. Forty fathoms or more below, boys. There's forty fathom or more below, boys.
8. Oh, way high ya, an' up she rises, O way high ya, an' the blocks is different sizes.
9. One more pull—don't ycr hear the mate a-bawlin'? One more pull, dat's the end of all our haulin'.
BuUen's version of Run, Let the Bulgine Run uses the words of
verse 4. Leaving the West Indies we will get back to Old England for
another 'Roll' tune, and this is the Old English ballad The Fire Ship, which recently became a popular radio number. At sea it was often sung at the pumps. In the radio version modern words have been fitted to this seventeenth-century ballad; no seaman would ever have sung about taking his inamorata for 'fish and chips'! Being a sailor-song many of the verses are unprintable! Jimmy Sexton (Sir James) declared it to be a very popular pumping song in his day, and I have heard it sung like this and also as a version OÏ Can't Ye Dance the Polka?, in which case one verse of The Fire Ship would make two verses of the shanty.
THE FIRE SHIP II..»;.• Ctit ^ ^ é m i i Ky/ 138 i f-''l'^JjJ^Jr^^ 01),M I ilnlldouto^c *v tjipj^.out for a i)'|)l)tic« «tr, ! i^il a lo^l-y r»;jiJjLJ.J P
c)i)>')>uM)iJ9 on' oft'trhic l stnrxi,! hoiSt ad Mr n>c ti^ a-r)a)s,w^i<^ihtM^uJ(^k^,Qj)' CJ;. (Stow.»)
£ Ï
y^fUfi^ttli mLh<ai.inkQy,i\jl iil)n)«iiafclvhov< to-o - O , 0^, ^'il a dcxKu)'tol-K^' ^
s ^fiJJrTiJj.i]j|
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Organisatie: Shanty Nederland
laatste wijziging 24-12-2021
1 gedigitaliseerd
 
 
 
 
 
049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
THE FIRE SHIP
2. Kind sir, yc must excuse me, for being out so late, For if mc parents knew o' it, then sad would be me fate. Me father he's a minister, a true and honest man, Mc mother she's a dancin'-gal [Methodist], an' I do the best I can. Ch. Oh, she'd a dark an' rollin' eye. An' her hair hung down in ring-a-lets [or like glow-worms]. She wuz a nice gal—a decent gal but . . . One of the rakish kind.
An older version gives: 'a rare sort, a rakish sort, she's one for a fireship's crew.'
3. I eyed that wench full warily, for talk like this I knew, She seemed a little owerbold, she lied for all I knew. But still she wuz a comely wench, her lips a ruby red, Her bosom full, her hips so slim, she coyly hung her head.
4. I took her to a tavern an' treated her to wine. Little did I think that she belonged to the reikish kind. I handled her, I dangled her, an' found to my surprise, She wuz nothin' but a fire ship, rigged up in a disguise.
5. And so I deemed her company for a sailorman like me. I kissed her once, I kissed her twice, said she, 'Be nice to mc'. I fondled her, I cuddled her, I bounced her on me knee. She wept, she sighed an' then she cried, 'Jack, will yc sleep wi' mc?'
{Two verses omitted.)
6. Now all ye jolly sailormen that sail the Western Sea, An' all ye jolly 'prentice lads a warnin' take from mc. Steer clear o' lofty fire ships, for me they left well-spent. For one burnt all me money up, an' left me broke an' bent.
Having got from 'roll' to 'rolling' we will take that now famous
'rolling river' shanty Shenandoah as our next item. It was one of the most popular of all capstan and windlass shanties, but I feel that a better title for it would be either Rolling River or Missouri, since many versions don't even mention Shenandoah. In the mouths of different shantymen the line 'Oh .. . I love yer daughter . . .' could contain any of the following names: Shenandoah, Sally Brown, Polly Brown, Darby Doyle, Paddy Doyle, or Dan O'Shea (Shay). This last version was always sung by a Scottish carpenter I once
knew who had been shantyman in Vicker's big four-posters out of Liverpool. Another point about this shanty is the fact that no two shantymen 139
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Organisatie: Shanty Nederland
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049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
SHENANDOAH
ever sang the same pronunciation of the word 'Shenandoah'. Shenadoar, Shannadore, Shanandar, and Shanidah were all used, but the shantyman L. A. Smith obtained her version from what must have been the king-pin at mispronunciation, as she gives this shanty as Oceanida\ Miss Gilchrist's seaman sang it as 'Shangadorc'. This is one of the shanties collectors have always thought to be
'clean', but when crossed, as it often was, with Sally Brown (owing to her having a daughter like Shenandoah), not even the most broad- minded collector could call it 'clean'! My first version—of Negro origin—I obtained from the coloured
cook (doctor) of the Birkdale. He had sailed for many years in the Dales, and in the Invers of the Milne Line of saihng ships.
SHENANDOAH {a) (Same tune as version (b)) Alternative titles, The Rolling River, The Wide Missouri
1. Shenandoah, I long ter hear yer. Ch. Away [Hooray], you rollin' river!
O Shenandoah, I cain't git near yer, Ch. Ha, ha! [High-ya!] I'm bound away. On the wide Missouri.
2. Shenandoah, me daddy's near yer, O Shenandoah, I seem ter hear yer.
3. Shenandoah, me madder's near ye, O Shenandoah, for ye I'm weary.
4. Can the piccanninies hear ye? O Shenandoah, me heart's a-dreary.
5. Shenandoah, again I'll hear ye. O Shenandoah, in dreams I'm near ye.
The next version, about an Indian chief, was very popular at sea. Doerflinger says that the chief's name was Skenandoah and he was of the Oneida tribe, and he also writes that the song was an old cavalry one known as The Wild Mizzourye. Whall, who says it used to figure in old school collections, believes it to have belonged originally to the American or Canadian voyageurs. Others think it came from the 'mountain men' or traders of the early West. But it may have been nothing more than a river-song—one of the songs used by boatmen of the great American rivers (like the Ohio). We do know that a very popular Ohio boatman-song—Dance the Boatman, Dance—became a deep-water shanty, and The Hog-eye Man is another one originating with river men. Alan Lomax gives the following 'cavalry version'. He calls it The Wild Mizzourye: 140
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049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
SHENANDOAH
1. For seven long years I courted Nancy. 2. She would not have me for a lover. 3. And so she took my fifteen dollars. 4. And then she went to Kansas City. 5. And there she had a little sh-sh baby. 6. She must have had another lover. 7. He must have been a -th Cavalry Soldier. 8. I'm drinking rum and chawin' tobacco. 9. I learnt this song from Tommy Tompkins.
First refrain— Second refrain—
Hi, oh, the rolling river.
Ho, ho, I'm bound away, For the wild Mizzourye!
(From American Ballads and Folk Songs by J. A. Lomax & Alan Lomax, published by The Macmillan Co., N.Y., 1934)
SHENANDOAH {b) (Use this tune with all my versions) 'Iftt^ SW«v wtt^ u^l^iii
OK, »)i»-»ou-.J, «^••aipl^vwo-W.a-way.. y». tol-lip-nv^tr/}()«nJil|iyea^)iM
op ktr W-cttr, CI- WW w«'n tKM^ta ^ , ^Ctautt^wUi IpiiMu- ra)) ƒ
2. O Shenandoah wuz a redskin maiden, Ch. Away ye rollin' river!
And a white man loved that redskin maiden, Ch. An' away we're bound to go, 'Crosst the wide Missourah!
3. Oh, the white man loved the Indian maiden. With trade-goods [notions] his canoe was laden.
4. The chief refused the trader's dollars [the white man's offer]. My daughter ye shall never follow [And vowed the white man should not have her].
141
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049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
fm
HEAVING AT THE ANCHOR CAPSTAN 'Oh, an' aitaaay ye rollin' river'' (Anchor Shanty)
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049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
SHENANDOAH
5. At last there came a Yankee skipper [One day a ship sailed up the river],
Who winked his eye and flipped his flipper [And brought the chief strong fire-water].
6. He sold the chief some fire-water, And stole the gal across the water.
7. O Shenandoah, I love yer daughter, I'll take her sailing cross yon roUin' water.
Now we come to the love of Shenandoah as a geographical
location. Of this version Captain F. Shaw (in his Splendour of the Seas) writes: '. . . the Shenandoah River flowed through the slave- states below the Mason and Dixon Line and whoever sang it first was obviously pining for the delights of that considerable stream., . .'
SHENANDOAH {c)
1. O Shenandoah, I long ter hear yer, O Shenandoah, I long ter hear yer.
2. O Shenandoah, I took a notion, To sail across the stormy ocean.
3. O Shenandoah, I'm bound ter leave yer, 0 Shenandoah, I'll not deceive yer.
4. O Shenandoah, I love yer daughters, 1 love the music of yer waters.
5. 'Tis seven long years since last I seed yer, But, Shenandoah, I'll never grieve yer.
6. O Shenandoah's my native valley, Beside her waters I love to dally.
7. O Shenandoah she's a lovely river. An' I shall never forget you ever.
And now we come to another shanty with the name Shenandoah—
a Negro capstan song given only by Bullen. 143
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049 Shanties From The Seven Seas
Erfgoedstuk
Bladmuziek
Shanties From The Seven Seas,
Titel:
Shanties From The Seven Seas
A-ROI,LIN ' DOW N TH E RIVE R
SHENANDOAH p\KTl\JlTJ\-Timflj}U^\'lj 0\), SI,., „5 do],. <^y bal ly toy, X |oj^ t i !).« you \yA let; Woy dy ,
f'i.^> jjj^n~7^- ^ J isi J jj j I Jjj^^ É fc5=f
ay ay ay, Slj«n-<u) dot,^ I (ub t«r beu)g tv tot «r *utr) et) i^'i-^i» "J'jj J i j j i J jJ"«n^ ^ 3«t ye lyuXt 0. swol Uc , W»y, ay, ay, ay, Sbnj. a? - dok . (Copyright, F. T. Bullen & W. F Arnold, Ainjfj of Sta Ijthmir. Swan & Co., Ltd., 1914) Bullen says it wasn't used so much at sea, but he heard it sung
by Negroes heaving at the winches when working cargo in, I think, Georgetown, Demerara. Another 'rolling river' shanty is the following, sung at capstan
and pumps: A-ROLLING' DOWN THE RIVER
Alternative title, The Saucy Arabella {Shenandoah, Davy Crockett, etc.)
^^jJIJJJjIjlJJJ^JjgjJ I ji IJ J -f^TM-ajjTjjij^
OK, the (X ra-b«l-la SttUr tyiiptob s'l , 3At Q-ra- iJ-l a it t hit lyoujtofi.j'l, J/)e w^^Fn u—fa i*f^ ^5f-K.j) ^depo, ' a hJ^i^ jb,c, Zl CL- TOL-h*\-\a. sttYftr yiuptohil, CL-To\\ir,'ixmptifrXv-tr.. i^l^ , CX- rol-li^' dovvt), a- rol-hp'Jowp, Cl-rol-lip' dowpA» tiv-«ï"r^ O..
'"J J I J- J N "^ I •* • J I J J hil-ddl^ ilr'' I n l-li, ' dowp, a - Tol-1.5'«lowp,S«UU,tBuc)(.o ipaU to{^CT«a«t'. w.^,01).
|Su,^k>5 ^J.,«,- a l.ulgu).(«,a I
{^J(.!, {>ij<i.9cu,' a
tul ^..-t ^.. , a - boarJ f)» ü - ta - 144
ii.l-la. /
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